Viral Landscapes is a series of artworks created in 1989 by the British artist Helen Chadwick. The series consists of five photographs, each three metres (9.8 ft) wide of different landscapes of the Pembrokeshire coast in Wales, overlaid with fragments of cellular imagery. Chadwick had taken samples of cells from her cervix, vagina, ear and mouth and overlaid the images of her body matter with patterns created by pouring paint onto the sea and dragging a canvas through the w… Websuch as Helen Chadwick and Damien Hirst have used biological imagery in their work; examples include Chadwick’s Viral Landscapes from the late 1980s and Hirst’s recent works that appeared in ...
PROLIFIC ENCOUNTERS TOWARDS A PHILOSOPHY OF …
Web29 aug. 2016 · Helen Chadwick, Viral Landscapes (detail) 1988-89 Copyright the Artist. Image Courtesy National Museums Liverpool An exhibition of highlights from the history of the gallery and reflects on some of the key ideas … Web29 mei 2004 · In the early 1980s, when Helen Chadwick (1953–96) began making her name, she was also lifting the profile of contemporary art in the UK. ... In Viral Landscapes (1988–89), she overlaid photos of the Welsh Pembrokeshire coast with pictures of cells scraped from her body orifices. barbara siles
Helen Chadwick - Unique Handmade Art
WebHelen Chadwick. Helen Chadwick (1953 – March 15, 1996) was a British artist.. Chadwick studied at Croydon College of Art, Brighton Polytechnic and then at the Chelsea School of Art. She has often been identified as a feminist, with several of her works addressing the role and image of woman in society.feminist, with several of her works … WebChadwick described it as the dramatization of a prelapsarian state, untroubled by self-consciousness (Chadwick OM, 90-91). The press release announced that Of Mutability was a ‘paradisal landscape where nature and artifice are joined in an allegory of love’ (T w/// u u s). As the many photocopies of rococo paintings that Chadwick WebIn the late eighties, as she worked on her Viral landscapes, the advent of AIDS encouraged artists and intellectuals to examine the idea of viral infection (Sladen 2004, p. 21) and analyse the metaphorical transference between the concept of the virus and other forms of social and cultural expressions of ‘trauma’ (Sontag 1989). Helen Chadwick barbara silkstone